Review of MadCap Blaze

In my previous newsletter, in an article called “Traditional vs. Electronic Workflow,” I wrote:

 

“Typically, authors write in Word, editors edit in Word, designers and typesetters work in QuarkXPress or InDesign, and indexers work in SKY Index, CINDEX, or MACREX. But what’s really needed is *one* program that can handle everything. . . . The combination of InDesign and InCopy is on the right track, as is the combination of QuarkXPress and Quark CopyDesk. But neither combination handles indexing well, and neither combination has all of the necessary editorial tools. An up-and-coming contender, however, is MadCap Blaze (thank you, Keith Soltys), which I’ll be reviewing in the near future.”

 

Here is that review–from the point of view of someone who is looking for that all-in-one solution described above. And in many ways, the creators of MadCap Blaze are basically there. As with any program, there are still a few small kinks that need to be worked out. But overall, Blaze is an amazing, XML-based, WYSIWYG publishing solution.

 

http://www.madcapsoftware.com/products/blaze/ 

 

If you’re familiar with FrameMaker, and you install the trial version of Blaze, you’ll quickly see that the program was designed from the ground up as a FrameMaker replacement, with long, complex documents (such as books and manuals) in mind. It features everything a serious publisher or writer could want–including:

 

 

  • Master pages with automatically generated headers and footers.
  • Document templates that can be shared with other users. 
  • Automatically generated tables of contents, figures, and so on. 
  • High-quality typography. 
  • Text styles and table styles. 
  • Conditional text, including variables. 
  • Cross-referencing. 
  • Built-in PDF support. 
  • Topic-based document construction. 
  • Footnote support. 
  • Revision tracking. 
  • A content explorer that lets you see, add, and arrange document content. 
  • An excellent help system. 
  • Embedded index entries that generate and display the index on the fly, as you’re creating it. This is the feature that really won me over.

 

But to take the coolness factor one step further, MadCap software also provides their “X-Edit Family”–really an all-in-one, standalone program with different features for different users:

 

http://www.madcapsoftware.com/products/xedit/

 

 

  • Document designers.
  • Writers and subject-matter experts.
  • Editors and reviewers, who can edit and add comments to existing Blaze documents. Wisely, MadCap has kept this as a free feature, available to anyone who wants to download and install the software.

 

It is really the X-Edit program that makes Blaze an end-to-end publishing solution. As the company says, “X-Edit removes the need for two documents, one for content development and another for publishing.” That’s so important that I’m going to repeat it: “X-Edit removes the need for two documents, one for content development and another for publishing.” In other words, no more writing and editing in Microsoft Word, setting type in InDesign, and indexing in CINDEX. Which means no more conversion problems, lost text, messed-up formatting, and so on. MadCap’s programs make it possible for writers, designers, and editors to do what they do best–create great publications–without the hassle of using different programs for different functions.

 

The downsides?

 

 

  • Blaze’s inability to use OpenType fonts–something MadCap is trying to remedy.
  • Blaze’s inability to handle vertical justification (feathering). Again, this may be possible in future releases. To be fair, many designers forbid vertical justification anyway, but if you’re dealing with widows and orphans, it’s a nice option to have.
  • X-Edit’s allowance for writers and editors to use ad-hoc formatting. MadCap is still debating about whether or not this should continue to be permitted. In my opinion, it definitely should not. Users (other than designers) should be restricted to a predefined set of text styles based on a template created by the document designer, which would avoid having to clean up extraneous formatting later. At least give us the option.
  • The lack of a scripting language and other customization features. To me, that’s a big one that I hope MadCap will eventually address.

 

Overall, MadCap Blaze is a revolutionary solution to problems that have long plagued the publishing industry. I strongly encourage you to give it a try:

 

http://www.madcapsoftware.com/products/blaze/

 

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READERS WRITE

 

In the previous newsletter, I discussed traditional vs. electronic workflow. Several readers commented on the article.

 

 

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Gretchen wrote:

 

I think one problem is that people trained under the old system are not really sure what their job should be under the new. For example, proofreaders skilled at comparing copy A vs copy B may not be sure what their role is with the new system. Some very skilled at comparing A vs B might not be as good at the things they need to do with the new.

 

For freelancers, working for different publishers, it’s even more difficult as each publisher wants something different.

 

Eventually, all us old geezers will retire and this problem will disappear. . . until the next generation of publishing emerges.

 

 

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Virginia Downs wrote:

 

In the (present) step where the MS is going back and forth between the editor and the author, everyone I’ve ever worked for has insisted that the author see only hard copy. The reason, of course, is so that the editor knows everything that’s been done. Some authors, presented with electronic copy, will take every opportunity to add to or change the substance of the material, regardless of the editor’s instructions to the contrary, and many authors cannot or will not use features that call attention to their changes. This is especially important to university presses, when the MS has been reviewed and passed by the faculty board, which might not approve of certain substantive changes. In any case, it’s very time-consuming.

 

I know there are “compare documents” features in Word, but they get very cumbersome, in my experience, when there are a lot of changes. It’s been much easier and quicker to keep that stage on paper only.

 

 

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Judy Stein wrote:

 

You write:

 

> * Not all authors will want to use a template while writing, and some manuscripts will come in from who-knows-where.

 

This would be the biggie, in my view. Often the entire ms. is written before it’s sold to a publisher, even if that occurs through an agent (who may submit the ms. to many different publishers).

 

> I understand the problem, but I also think that many writers would welcome some kind of template that just lets them *write* without worrying about formatting.

 

And frankly, in my experience, too many authors have trouble following instructions. “Template,” no matter how simple, does not equal “without worrying about formatting.” (My best private client, a prolific writer, would go stark raving bonkers trying to follow a template.)

 

A given publisher may have a stable of authors that it can train to use the template at least semi-reliably, but the editor will inevitably have to spend some time fixing their mistakes. And then there will be all the *other* authors.

 

In the real world, for many if not most mss., I think you’re going to have to plan for a formatting step in which a (lower-level) editor feeds the author’s electronic files into the template. And even so, a higher-level editor may need to check the author’s ms. first for appropriateness of levels of headings and similar details. Most mss. I copy edit have undergone at least some revisions of this kind by the in-house editor before I get them.

 

OK, so the ms. is formatted via template (either by the author or by an editor) and edited, then sent back to the author to approve the changes. Many authors make further changes at this stage, sometimes significant ones; if they haven’t already been trained to use the template, they’re likely to foul things up.

 

Bottom line, with the exception of your stable of trained authors, I suspect you’re better off imposing the template on the ms. file after all the editing has been done and approved by the author.

 

 

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Adam C. Engst of “Tidbits” and the “Take Control” books wrote:

 

We already do something along these lines with our Take Control series of ebooks. Authors write into a template in Word (which they like), and that file gets passed to the editor. At some point we export HTML for use in a collaborative technical review phase using QuickTopic Document Review, and then we produce a PDF out of Word. There are many things we dislike about Word, but it’s the only program that does all of what we want in terms of commenting, change tracking, PDF production with links, and more.

 

Almost all of what we do, with the exception of one step, is done on the Mac.

 

The Editorium wrote:

 

> Typically, authors write in Word, editors edit in Word, designers and typesetters work in QuarkXPress or InDesign, and indexers work in SKY Index, CINDEX, or MACREX. But what’s really needed is *one* program that can handle everything–including collaborative file sharing so that more than one production stage can be done at the same time. If such a program existed, the production process could look like this:

> 1. The designer creates a template with page, paragraph, and character styles that will format the different parts of the manuscript.

> 2. Using the template, the author types the manuscript using the styles created by the designer, switching back and forth between “draft view” and “typeset view” as needed. NOTE: Because the styles are predefined by the designer, the type is basically set automatically as the author works.

 

Graphics and page breaks are still a bit of a pain.

 

> 3. The editor edits the files, switching back and forth between “draft view” and “typeset view” as needed.

 

There are often several passes between the author and editor. We looked into Google Docs, which is great for collaboration, but lacks almost all other necessary features.

 

> 4. The author reviews the editor’s changes. *At the same time,* the indexer writes the index. As the indexer works, the entries are automatically embedded into the files, and the index is automatically generated and updated based on those entries.

 

We don’t do indexes since they don’t make economic sense for ebooks that have full text searching.

 

> 5. A proofreader or typesetter checks for and fixes any remaining widows, bad breaks, or other problems.

 

This is still necessary.

 

> 6. An editor reviews any editorial changes the proofreader may have made and generally ensures that the book is ready for press.

 

We have both the author and editor review the final book after layout tweaks.

 

> In a perfect world, that is. Unfortunately, the program that will handle all this has yet to be created. The combination of InDesign and InCopy is on the right track, as is the combination of QuarkXPress and Quark CopyDesk.

 

And both are really expensive, if you anticipate needing to give every author a copy of InCopy. Everyone already has Word.

 

But neither combination handles indexing well, and neither combination has all of the necessary editorial tools. An up-and-coming contender, however, is MadCap Blaze (thank you, Keith Soltys), which I’ll be reviewing in the near future.

 

Looks like this is Windows-only, which makes it problematic for us.

 

> I realize that several objections could be raised to the procedure I’ve outlined above, including:

> * Not all authors will want to use a template while writing, and some manuscripts will come in from who-knows-where. I understand the problem, but I also think that many writers would welcome some kind of template that just lets them *write* without worrying about formatting. I also *know* that authors need help with structure and consistency, and most Word processors encourage chaos, at least right out of the box.

 

You’re right here - templates are always good.

 

> * There’s no work or review by a typesetter. Really good typography requires a lot of hand-tweaking by a professional. But composition software is getting better all the time; already, with a well-designed template in InDesign, not much tweaking is needed. If you look at the old books scanned by Google, you’ll see that typography produced today with virtually no manual intervention far surpasses much of what was done completely by hand 100 years ago.

 

This isn’t a big deal in my view, since most books these days aren’t trying to be works of typographical art. . . . It’s a bit of a shame, but it just takes too long to add this step in.

 

I’ve been writing about this crying need for years - see:

 

http://db.tidbits.com/article/7670

http://db.tidbits.com/article/8489

http://db.tidbits.com/article/8613

http://db.tidbits.com/article/8639

 

http://www.tidbits.com/

http://www.takecontrolbooks.com/

http://twitter.com/adamengst

 

 

Many thanks to Gretchen, Virginia, Judy, and Adam! If you have questions, hints, or comments you’d like to share, please send an email message here:

 

mailto:editor@editorium.com

 

 

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RESOURCES

 

Chapter by Chapter

 

Chapter by Chapter is one of the coolest Microsoft Word add-ins I’ve seen for some time. It replaces Word’s unreliable Master Documents and Document Map features with a slick, stable interface for navigating and accessing separate documents that (together) make up a book. As the website says:

 

————————

 

Chapter by Chapter (”CbC”) is a software for novel writers who use Microsoft Word intensively. It allows managing and organizing chapters within a book far easier than in Word just because it deals with one doc file per chapter rather than one big file containing the whole book. When the book is finished (or whenever the writer wants), CbC generates that big file.

 

CbC was developed because the Master Document feature of Word was too complex and very buggy (it corrupts documents). So, the idea was to mimic this feature from out of Word with another application running independently and driving Word.

 

————————

 

Chapter by Chapter is an amazing piece of work–highly recommended. The bad news: No Macintosh version. The good news: It’s free!

 

http://pagesperso-orange.fr/sebastien.berthet/cbc/

 

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Feed the hungry and test your vocabulary–everybody wins! My high score is 50. What’s yours?

 

http://www.freerice.org

 

 

If you’d like to share a resource that others might find useful:

 

mailto:resources@editorium.com

 

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HELP WANTED

 

If you need help with Word, there are actually lots of places to go. Some of the best include:

 

Allen Wyatt’s WordTips:

http://WordTips.VitalNews.com

 

The Word-PC List:

http://listserv.liv.ac.uk/archives/word-pc.html

 

The McEdit list:

http://groups.yahoo.com/group/McEdit/

 

Microsoft’s Word discussion groups:

http://www.microsoft.com/office/community/en-us/FlyoutOverview.mspx#13

(Look in the lower right of the page.)

 

The Word MVP site:

http://word.mvps.org/

 

Woody’s Lounge:

http://www.wopr.com/cgi-bin/w3t/postlist.pl?Cat=&Board=wrd

 

But if you can’t find what you need in those places, send your question here:

 

mailto:help@editorium.com

 

I’ll put your question in the newsletter to see if some astute reader knows the answer.

 

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I *love* SpamArrest. After unsuccessfully trying to fight the battle against junk email with a couple of top-notch programs, I decided to try SpamArrest, and I’m thrilled to say it’s actually won the war. Boy, has my email been quiet! When people send me an email message, they receive a message in return asking them to click a link to register themselves (a one-time operation) as someone who can send me email. Spammers, of course, won’t bother to do this, which basically means no more spam! It’s easy to preregister family, friends, associates, and email newsletters. The online program (no software installed on your computer) provides complete control over how spam is handled, and it’s very easy to use. You can try SpamArrest for 30 days at no charge. To learn more, click here:

 

http://spamarrest.com/affl?1403707

 

And if you decide to sign up, please do so through that affiliate link. Your support will help keep Editorium Update alive and kicking. Thanks!

 

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THE FINE PRINT

 

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One Response to “Review of MadCap Blaze”

  1. Cheeseburgers in Paradise « Sharon’s MadCap Blog Says:

    […] I was hired in large part to bring Blaze to market. And a year after I arrived, it’s released. I’m delighted to announce we’ve had our first review and it’s really good. I’m so proud. To learn more, go to http://blog.editorium.com/2008/10/21/262/ […]

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